The Seven-Ups
The Seven-Ups
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Buddy, Barilli, Mingo and Ansel, detectives with the NYPD, comprise a secret investigative unit called the Seven-Ups, who, largely undercover, focus on cases leading to felony convictions with prison sentences of seven years or more for the criminals in question. Many within the NYPD who know about the unit don't support the idea of it because of the often unethical way they work on the cases, but their superior, Inspector Gilson, defends the unit solely because of the results. On the sly, Buddy, who is the head of the team, gets much of the information for the cases from Vito Lucia, a childhood friend who still lives and works in the old neighborhood where much of the crime is based. Vito knows that his life could be in danger if the mob finds out that he acts as a snitch for the police. After Buddy starts looking into the loan sharking business of some local mob members, unknown to him some of those mob members are shaken down for a minimum $100,000 apiece, one by one kidnapped for ransom before they are released when the extortionists are able to abscond with the ransom money. The M.O. of the extortionists is for two to act as police detectives bringing the mob member in for questioning, before showing their true colors of kidnapping the person for ransom. The mob has no reason to doubt that the men truly are NYPD gone bad. Buddy even sees one of them taken in, a bail bondsman named Festa with mob ties, he knowing that what he witnessed was not what it appeared on the surface, however unaware that this situation was not a one off in the scuttlebutt he had previous heard about general unrest on the streets. By the time that Buddy learns of the serial kidnappings and the unofficial war the mob has with the NYPD because of it, Buddy and the team are determined to nab the mastermind behind the extortions as it has become more than a professional issue for them
STARS:
Roy Scheider, Tony Lo Bianco, Victor Arnold
103 min | Action, Crime, Drama, Mystery | 1973 | Color
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1970's New York Crime Drama At Its Best
Having grown up in New Jersey and having spent many a day and night on the gritty streets of New York in the 1970's, watching a film like "The Seven-Ups", or its kindred spirit, "The French Connection", always evokes fond memories of a time and place which, for some, might have been NYC's darkest hour, but which for me, in my early twenties, was always one fun-filled adventure after another. I truly miss those times. As one reviewer remarked, "This film very aptly captures the stark, cold, matter-of-fact feel of the NYC winter season, while keenly exposing the underbelly of the region's infamous underworld of crime and policing. A great snapshot of a place and a time and a culture.". A spot-on characterization of both the film and the city. The stellar attributes of this film -- the plot, the cast, the characters, and of course, the car chase -- are amply described in many of the reviews here, so I won't go into that except to say that one of my favorite moments occurs during the car chase, when the camera focuses on Richard Lynch riding shotgun to the maniacal Bill Hickman. The look of horror on Richard Lynch's face, along with the defensive gestures, are so out-of-character for an actor much better known as a source of terror rather than an object of it, that it is actually comical to watch. I get a chuckle out of it every time.