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Emmanuelle The Sex Lives of Ghosts

Emmanuelle The Sex Lives of Ghosts

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Emmanuelle is a beautiful young model and lives in Bangkok together with her husband Jean, who’s several years older. She likes him because he’s taught her much, and he likes her because she’s learning so well – and wants to often. Both are very tolerant in matters of extramarital affairs, so he doesn’t mind the young Marie-Ange coming over every so often, although she obviously wants more than talk from his wife. But Emmanuelle is more fascinated by the older Bee, and joins her on a trip into the jungle.

STARS: Sylvia Kristel, Alain Cuny, Marika Green


95 min | Drama, Romance | 1974 | Color

 

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Erotic ins and outs
This is the finest example of soft core movie-making I have watched yet, with a great title song and melodious instrumental accompaniment that gives it all a sensuous and alluring ambiance, very effective slightly hazy photography that makes the bodies even more desirable, and a sweet/ingénue character in the superb shape of angelic-looking Sylvia Kristel who gives you an erection in no time. The upshot is that it makes for a spiritual and physical experience that requires you to take yourself in hand.
I had always thought that once you had watched one erotic or more explicit film you had basically watched them all but there is a persistent charm about Emmanuelle that keeps me retrieving it from the cupboard and falling in lust with Sylvia and her nubile female company over and over.
It is no longer the shocker that it was in 1974, and anyway I have never been able to watch the 105' French version... so this film has also been a kind of Holy Grail to me, and I am still hoping to watch the full original.
There is only one aspect that I regret about this otherwise marvellous erotic experience: That I never got to caress, pore over, and do Sylvia Kristel's ins and outs. But many a mark on my mattress, sofas, carpets, towels, and other items bore evidence in my youth of the indelibly sensual impression this film -- and Sylvia in particular -- left on me. May you enjoy it as much as I have!

Beautiful
a film encompassing an edgy kind of exquisite sensuality one of sensual exploration into the world of female sensuality and sexual pleasure and it brings one to a new understanding of many modern young women who are becoming increasingly bisexual. This film moves through this exploration without giving offence and in a careful manner. A lovely location where all is believable. The older husbands attitude is perhaps not unique as many older men respond to their wives or partners in a similar way and would be aroused and want to allow their younger partners to explore with their help and assistance. At the time the film was released however attitudes were not nearly as liberal as they are in the 2000s it was not so much the films content but what it silently inferred that was to shake people up and to raise questions their own minds.So that we focused on was it right for her "Emannuelle" to be touched by another woman, to have multiple hetro sex, or to be anally penetrated? these were serious issues in the 1997s some even illegal. But we have to judge this film in todays climate and many issues like those above no longer provoke amazement or distaste, as the moral climate has relaxed

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