Saddle the Wind

Granted a small plot of land in a lush valley and a start of cattle by the generous landowner and cattle baron, Dennis Deneen (Donald Crisp), the once-feared gunslinger, Steve Sinclair (Robert Taylor), has renounced violence, intent on keeping the peace in the community. However, the sudden arrival of Steve’s much younger brother, Tony (John Cassavetes), and his saloon singer fiancée, Joan Blake (Julie London), will pave the way for a bitter rivalry between siblings, as the volatile young gunfighter craves to prove his mettle. More and more, Tony’s tricked-out custom six-shooter demands blood. Is Tony destined to be the lord of the rich valley?

STARS: Robert Taylor, Julie London, John Cassavetes

84 min | Classical Western, Western, Drama | 1958 | Color

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Excellent, subversive Western.

Saddle the Wind, In the 1950s, the best way to attack an intolerably conformist society was to take a harmless ‘popular’ genre and subvert it, overturn its assumptions. Sirk did it with the woman’s picture, Minnelli with the musical, Hitchcock with the thriller; Robert Parrish does it here with the Western, with a vision of Eisenhower family-values capitalist America as a medieval feudality, where everyone must pay obeisance to a landowner, where the stable family unit consists of a killer and a wild sexual neurotic, and where capitalism is actually destructive to the family and continuity, a sterile thing.

Whether John Cassavetes is an embodiment of the Western hero gone wrong, the pressure of capitalism turned in on itself, or a rebel without a cause, the film is full of powerful incident – Cassavetes’ first insane shooting spree, which he ends by shooting his own puddled reflection; the drunken attack by Cassavetes and friend on a family of homesteaders, uncomfortably reversing the old attacking-Indians routine; the Leonesque showdown between Cassavetes and Ellison backed by his own brother. Very much a post-‘Searchers’ Western, land here is synonymous with spilt blood not destiny.

Saddle Yourself

This is the classic Western as it is just one of the millions of different stories of the old West but similar to all of them. You get a glimpse of the lifestyles, the risks and the rewards and yes the law was settled by gun-play until it was not. This Western has it all. Gunfights, horses, cattle, bar, whiskey, a love interest with a backstory and of course heroes and villain. Great emotional scenes that just push and pull on you too making it a must see for the viewer so you can be entertained. All the actors are at the top of their game too. Scenery is beautiful and one can easily imagine how pleasant it was to live this simple and rewarding life as the seasons changed. Nice song in the opening credits and later on too. Listen to the words for they are well chosen. Nice ending with good closure. Recommend a dinner meal with tasty drink followed by a good snack for the maximum viewing enjoyment. Saddle up, mount up, ride and then call it a night…