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Holiday Inn

Holiday Inn

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Lovely Linda Mason has crooner Jim Hardy head over heels, but suave stepper Ted Hanover wants her for his new dance partner after femme fatale Lila Dixon gives him the brush. Jim's supper club, Holiday Inn, is the setting for the chase by Hanover and manager Danny Reed. The music's the thing.

STARS: Bing Crosby, Fred Astaire, Marjorie Reynolds


100 min | Comedy, Drama, Music | 1942 | Color

 

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Holiday Inn - Truly Classic
I always feel that a true classic is either a film or a song that within a few feet of film or a few bars of a tune, you know exactly what the song or film is and in most cases the cast or artist who was involved with it.

This film, in my opinion, is no exception. The casting of this film (Bing Crosby as Jim Hardy and Fred Astaire as Ted Hanover) is pure genius. Both stars were really at their professional peaks at the time and they show it in this movie musical.

Both Marjorie Reynolds as Linda Mason and Virginia Dale as Lila Dixon were not as well known, but I feel they both more than proved themselves in holding their own against the talents of Astaire & Crosby.

The supporting cast were fine too. Louise Beavers as well as Walter Abel gave some comedic relief in their roles as Mamie & as Danny Reid.

The firecracker dance sequence with Astaire is well worth the price of admission alone! I also enjoyed the dancing sequence between Astaire & Dale during the "Your Easy to Dance With" number and between Astaire & Reynolds during the "Be Careful Its My Heart" number.

Truly a wonderful film despite the controversy surrounding the "Abraham" black face routine.

When I first saw this film, I never thought about it as being filmed to offend anyone, I just considered it was the only way to explain in the plot why Ted & Danny don't recognize Linda since Jim has been hiding her from them. I have never changed my feelings on this and still feel the same way some 35 years later after my original viewing.

 

Holiday Inn is an uplifting and heartwarming remembrance that is a legend in its own right.
In any endeavor there are greats, and there are legends. Bing Crosby crooned his way to the latter status years before this movie, and he is in fine voice here. It is such a shame that things like talent aren't present in music anymore, but if you want to remember it, this is a great vehicle. Irving Berlin, Crosby's long time friend, wrote magical numbers for the film, including the unforgettable White Christmas.

Fred Astaire gave a tour de force performance, singing, and, of course, dancing his way through this delightful piece in rare form. It is said that he worked so hard during rehearsals that he wasted away to 85 pounds by the time he filmed the firecracker number. He might just as well have been weightless, because he defies gravity with his every move.

Marjorie Reynolds was seriously outclassed in a role that was intended for Mary Martin, who probably could have improved the chemistry of the starring cast. Reynolds nevertheless does a creditable job, and Holiday Inn remains her finest hour.

Years later, Paramount undertook a vastly inferior remake entitled White Christmas, which failed to capture a fraction of the magic of Holiday Inn. Astaire was replaced with funny man Danny Kaye, and Rosemary Clooney gave it her torch song damndest, but it didn't gel. Holiday Inn has more wit, sincerity, charm and, despite being over a decade older, freshness. Holiday Inn is an uplifting and heartwarming remembrance that is a legend in its own right.

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