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Emmanuelle 2

Emmanuelle 2

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After two-month of separation, Emmanuelle must find her husband, Jean in Hong-Kong. She goes there by boat. Once in Thailand, she finds her husband and meets Christopher, a mysterious airplane pilot. At a dinner, she also meets Laura, Jean’s mistress and her troubling stepdaughter Anna Maria. She proceeds to have several extramarital affairs — with Jean’s knowledge, of course.

STARS: Sylvia Kristel, Umberto Orsini, Frédéric Lagache

83 min | Drama, Romance | 1975 | Color


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a young frenchwoman (Sylvia Kristel) experiments with her sensual side
This may be the best softcore erotic movie ever made, and its a shame that more people didn't see it in America when initially released in 1975 at the height of the Sexual Revolution, before AIDS came along and took all the fun out of swinging. One reason why the film wasn't so popular is that just a few years earlier, the first Emmannuelle film, based on a supposedly true book by Ammanuelle Arson, was released with much hoopla - and seen by many people, most of whom did not particularly like it, myself included. There was a glossy look but a nasty edge to it all - the sex seemed joyless, owing to the awful approach of Just Jaecken. So people stayed away from the sequel, which is all about the joy of sex! And is absolutely sweet and seductive, lush and lovely - everything that the first Emmanuelle movie was supposed to be but wasn't. If this had been released first, everyone would have been delighted. This remains the most perfect film by which you can revisit (on screen) the truly joyous feel of sexual liberation in the mid-seventies, though steer away from its predecessor. Best sequence: Kristel's lovemaking, in an Asian brothel, with Laura Gemser, shortly to start a series of her own as . . . Black Emmanuelle!

Beautiful, poetic & erotic
A wonderful sensual film with a most outstanding soundtrack. Sylvia Kristel brings to life another episode of the insatiable Emmanuel. Ms. Kristel not only brings decorum to the role, but also class and a beautiful sensuality that only this beautiful woman can exude. The artistry, cinematography and detail for art direction makes this film a beautiful cinematic crescent of colors to watch. The erotic scenes were so beautifully stages, shot and endured, that you cannot help but to want to be with the actors playing the scenes out with them as well. I recommend this film cause it will not only transport you back to a time where erotic films had a definite story structure and cinematic beauty, but they were also artful and decadent. The nostalgia is palpitable. I cannot comment enough on the soundtrack of this film. The orchestration are guttwrenching and emotional and adds light to every scenes where it is placed. France should be most proud to have had in existence, back then, such a beautiful, talent, classing and sexually charged actress as Sylvia Kristel.

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