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Carry On Jack

Carry On Jack

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Storyline

Carry On Jack   This is the tale of Albert Poop-Decker, a newly commissioned Midshipman (although he took 8 1/2 years to qualify). He joins the frigate Venus, and adventures through Spanish waters, mutinee and Pirates taking his Captain, his sweet-heart and his best-friend with him! With mistaken identities and shipwrecks awash, it’s a surprise any of them live to tell the tale!

‘Twas on the good ship Venus

Carry On Jack   Winsome bar wench Sally (Juliet Mills) steals the identity of bumbling midshipman Albert Poop-Decker (Bernard Cribbins), taking his place aboard frigate HMS Venus in the hope of sailing to France to find her missing sweetheart Roger. Meanwhile, the real Albert is press-ganged into service on the same ship, but no-one will believe his unlikely story.

The mere thought of the lovely Juliet Mills being able to pass for a man is, of course, utterly ridiculous (reminding me of a similarly silly episode of Blackadder), but despite this preposterous conceit, the notable absence of many of the series’ major players, and a lack of any truly classic gags, I can’t help but enjoy this movie. With its well-realised period setting, Miss Mills obvious charms (she looks great even posing as a man), Jim Dale’s brief but hilarious turn as a money-grabbing sedan chair operative, and some of the scurviest pirates ever to set sail for the seven seas, this rousing Carry On tale is still good for a Yo Ho Ho!

No, *I* am Ensign Albert Poopdecker, RN…….

As a fan of the entire Carry On …. series, I was always disposed to like this movie. True, it had few regulars, but the script allowed the cast to shine. Kenneth Williams gives his usual over-the-top performance as the anything-but-fearless Captain Fearless, Juliet Mills gives the most amusingly unconvincing impersonation of a man since Some Like It Hot, and Bernard Cribbins is great as the good-hearted, but woefully naive Albert Poopdecker. Charlie Hawtrey plays his usual character as well as ever, and all in all the plot once more becomes just the backdrop for all the gags, double entendre, and slapstick we all expect and love from the movies we know so well.


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