Broadway Melody of 1936

Bob Gordon is staging a new Broadway Show, but he is short of money. He gets an offer of money by the young widow Lillian, if she can dance in his new show. Bert Keeler, a newspaper man, gets this information and is writing about this in his column in an slightly unfriendly way. Gordon's old class mate Irene Forster, a tap dancer from Albany also tries to get the leading role in this show, but Lillian insists in getting this part herself. So Irene Forster, Bert Keeler and Gordon's secretary Kitty start a little game to get Irene the leading role.

STARS: Jack Benny, Eleanor Powell, Robert Taylor

101 min | Comedy, Musical, Romance | 1935 | Color

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Broadway Melody of 1936.....The year of Robert Taylor and Eleanor Powell
Broadway Melody of 1936 is definitely recommended to those who have a kick for Eleanor Powell. This musical is an excellent introduction to the Queen of Taps!!! Not only does Eleanor Powell dance with such terpsichorean display but also manages to act fairly well in all her scenes. Robert Taylor as handsome as ever delights his audience in a pleasant singing voice along with June Knight and Buddy and Vilma Ebsen.
MGM's future relied but not too severely on this film, it proved a success and Eleanor Powell became an overnight star. This musical is a must see for those who adore musicals in their original state.

A confection of a movie
"Broadway Melody of 1936" is a confection of a movie, meant to sweeten the lives of Depression weary Americans. It stars the unlikely triumvirate of Jack Benny, Eleanor Powell and Robert Taylor. The plot is flimsy, involving the parallel efforts of a columnist (Benny) trying to save his career, a Broadway producer (Taylor) trying to find a star for his new show and a dancer (Powell) trying to get her big break on Broadway.
All this is secondary to the wonderful songs by Nacio Herb Brown and Arthur Freed: "I've Got a Feelin' You're Foolin'"; "Broadway Rhythm"; "You Are My Lucky Star"; "On a Sunday Afternoon";" Sing Before Breakfast." The production numbers for each song range from clever to spectacular. "I've Got a Feelin' You're Foolin" is sung by Taylor and New York actress June Knight. The special effects are a delight, especially as they are done so long before CGI.
Powell proves, as always, that she is unmatched as a dancer—her energy, grace and strength are a marvel. She dances solo, with Buddy and Vilma Ebsen, with Nick Long, Jr. and with huge choruses.
Nor can the acting be faulted. Jack Benny is excellent as the gossip-obsessed wise-cracking and scheming columnist. Robert Taylor is remarkably poised and mature for his years (24) and even has a nice singing voice. The second banana roles are filled admirably by Sid Silvers and Una Merkel. If Powell and Knight are less impressive when their feet are still, it doesn't matter—their dancing more than redeems them.
"Broadway Melody of 1936" was a high budget, high gloss, pull out all the stops, MGM production. No expense was spared for the costumes, sets, choreography or photography. The direction by Roy del Ruth is crisp and effective. We could use more films like this in our own economically challenged times.