The Sword And The Sorcerer

In a dark epoch of sorcery, the murderous megalomaniac King Titus Cromwell awakens a demonic necromancer, Xusia of Delos, to usurp the throne of the benevolent King Richard of Ehdan, enslaving his daughter, and forcing his youngest son Talon into exile. One violent decade later, Talon--now a great warrior wielding a magnificent triple-bladed sword--returns hell-bent on revenge. Unbeknownst to him, however, the evil sorcerer is alive, gathering his strength for the ultimate battle. Will the dauntless adventurer restore peace to the long-suffering kingdom? Is this the return of the lost prince?

STARS: Edgar Buchanan, Marie Windsor , Lon Chaney Jr.

99 min | Dark Fantasy, Supernatural Fantasy, Sword & Sorcery, Action, Adventure, Fantasy, Horror | 1982 | Color

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Pride in the sword.

Albert Pyun's minor budgeted sword and sorcery foray is just as amusing now, as I remembered it to be and one of the better (if not one of the best) attempts of the over-flooded sub-genre that skyrocketed in the 80s. Never does it cop out on the ingredients that make this type of b-films fun. The wonderful camp level is high, as blood and flesh (topless mainly) run freely. Pace stays zippy, and while the pulpy story has cut and dry outline, it still has personality and a complex array of schemes to keep it excitingly brash, and not just relying on set-pieces. Don't go looking for a mythical medieval journey filled with a variety of beasties, and obstacles on this one though. It's the standard boy seeks revenge when grown up on the man who killed his family, and took over his father's thrown. The hacked-up script is colorfully tacky, but has an agreeable sarcastic edge and unpretentious novelties streaming off it. Sure there are some untied plot details, but never does it fault the entertainment. Yes its entertainment, that's better not to delve too hard in to. Pyun (in his directorial debut) confidently does a workable job constructing an epic scale treatment, by using his budget wisely. Enthusiastic set-designs, and prop work look respectable and are well-integrated. We get bravado sword fights, busting with adrenaline and guts. It's pure mayhem during certain stages, but commendably executed. Then there's the potent make-up FX that holds a vivid imagination, and brutal punch. David Whittaker spirited score chimes in largely, and overwhelms many sequences. Lee Horsley makes for a charming, brawn heroine and a lively Richard Lynch mercifully eats it up as the clichéd villain of the piece. Kathleen Beller stands tall with her bold performance, and makes for nice eye-candy. Simon MacCorkindale has a strong showing, and Richard Boll (in gooey make-up) stands out too in his role as a monstrous sorcerer. In solid support are George Maharis, Joe Regalbuto and a formidable Robert Tessier.