Krull

In the face of total annihilation by the omnipotent Beast’s unstoppable hordes of Slayers, the young aristocrats of two hostile neighboring nations–the brave Prince Colwyn and the fair Princess Lyssa–are about to come into union, and form an alliance against the common enemy. However, the otherworldly adversary is all-powerful, and before long, a fateful abduction will trigger a desperate quest to the evil entity’s grim Black Fortress, as Colwyn and a handful of mismatched defenders are willing to dice with death to ensure the land’s future. In this suicide mission, the magical, five-edged weapon known as the Glaive is their only chance of survival. Can Prince Colwyn slay the Beast, save Lyssa and Krull, the small planet in the middle of the vast galaxy?

STARS: Ken Marshall, Lysette Anthony, Freddie Jones

121 min | Action, Adventure, Fantasy | 1983 | Color

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Why you MUST give Krull a second look.
'Fantasy', in the traditional 'Dungeons & Dragons' sense, in the movies is often seen by the general public as a warning sign (and often rightly so). On the surface, Krull does seem like standard fantasy cliche. Prince must rescue princess from monster. Not very promising so far, is it? Already starting to lose interest? YOU FOOLS! Consider these additional elements: An orchestral soundtrack by the mighty James Horner (Titanic), which is possibly the best score he has ever written, possibly even THE best score ever written; A brilliant mostly-British cast, including Liam Neeson, Robbie Coltrane, Tucker Jenkins :) and a host of other distinguished actors; A script which is so corny that it cannot fail to be fantastic when delivered with such hammed-up enthusiasm by the actors; and finally a few brilliant touches such as the boyhood-dream-weapon the Glave - a giant mind-controlled shuriken. This film falls in to the same category as Flash Gordon which was released a few years before - epic, brit-centric, totally entertaining masterpieces of camp grandeur. Don't write it off until you've seen it enough to appreciate its subtleties.