Excalibur

The myth of King Arthur (Nigel Terry) brought once again to the screen. Uthur Pendragon (Gabriel Byrne) is given the mystical sword Excalibur by the wizard Merlin. At his death, Uthur buries the sword into a stone, and the next man that can pull it out will be King of England. Several years later, Arthur, Uthur’s bastard son, draws Excalibur and becomes King. Guided by Merlin, Arthur marries Guenevere (Cherie Lunghi) and gathers the Knights of the Round Table. Arthur’s evil half-sister Morgana (Dame Helen Mirren) sires a son with him, who may prove to be his downfall.

STARS: Nigel Terry, Helen Mirren, Nicholas Clay

140 min | Adventure, Drama, Fantasy | 1981 | Color

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Excalibur. The best of the King Arthur films.
Excalibur is a truly atmospheric film. It has the ability to take you back to the time it depicts, without using sentimentality or rose tinted spectacles. Having seen the film numerous times, I still get more out of it with every viewing. It certainly seemed to start many careers on the right path and many of the actors are very well known now. My only sadness is that Paul Geoffrey and Nigel Terry, two of the main character actors, seem not to have become such household names. They both stand out in the film and to my mind have made it what it is, brilliant. Great direction, production, photography and music. King Arthur himself would have been proud of it.

Operatic,mythic, retelling of Arthurian legend.
At different times in his illustrious career, John Boorman has announced that his intention to make film versions of both The Lord Of The Rings, and Wagners "Ring" cycle.Like Scorsese's plans to do film biographies of Gershwin and Robert Johnson, or Coppola's plans to make versions of Faust and Pinocchio, these grandiose projects have come to nothing. Fortunately, in Excalibur, we have something that comes close..VERY close. Boorman retells the Arthur legend in a way that evokes both the mythic power of Tolkien and the operatic splendor of Wagner.. ( Indeed, the sound track makes frequent use of Wagner.)Some have criticized Boorman for making the story of King Arthur too sexy and violent. Well, in their original , unexpurgated form, the Arthurian legends were just that. Boorman also looks at the Druidic and pagan roots of the arthur story, (" The Land is the King."), and examines the inner conflict between Paganism and Christianity that gave the myth its original power. A great film, and one of my personal favorites. I have not seen Robert Bresson's version of the Arthur myth, Lancelot Du Lac, but I suspect that it may be the only other one by a major film-maker that comes close to the eerie, mythic, glorious heart of Arthurian legend.