Ferris Bueller's Day Off

Ferris Bueller’s Day Off, High school student Ferris Bueller wants a day off from school and he’s developed an incredibly sophisticated plan to pull it off. He talks his friend Cameron into taking his father’s prized Ferrari and with his girlfriend Sloane head into Chicago for the day. While they are taking in what the city has to offer school principal Ed Rooney is convinced that Ferris is, not for the first time, playing hooky for the day and is hell-bent to catch him out. Ferris has anticipated that, much to Rooney’s chagrin.

STARS: Matthew Broderick, Alan Ruck, Mia Sara

103 min | Comedy | 1986 | Color

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When teen movies were funny, not just stupid
I have an ongoing discussion with my friends and family about what movie defines your generation, and for me, this is it! Ferris' commentary throughout the movie is hilarious and irreverent, giving a voice to those on the borderline between Generations X and Y. It's Office Space, the teenage years! This movie is witty and fast-paced, not relying on the bathroom humor and physical comedy that most teenage and college comedies do these days. Yes it is dated, but that's part of what makes it great. I love it!

One Of A Kind. Often Imitated - Never Equaled. 💯
On my IMDb "Top 10 Greatest Comedy Films" list.
No other "Coming Of Age" teen film since has been able to knock Ferris Bueller off its post-American Graffiti "COA" throne. Like the 1961 Ferrari GT 250 SWB California portrayed in this film (more than one used in production, and all were well-made knock-offs as no one was going to risk knocking around an ultra-rare $25M collectable), there is simply no substitute (George Lucas' American Graffiti' still reins as the all-time #1 COA film, but that came 10 years earlier, and is in a class by itself, although this film is also deserving of being considered an "important and significant film").
This was John Hughes' 4th directed movie, during his most prodigious period from 1984 to 1990, that also included 'The Breakfast Club' and 'Home Alone'.
Hughes tried to portray teens realistically and gave them relevance in his films - he was empathetic to the challenges of adolescence, and consciously avoided Hollywood's often shallow characterizations of the teen high school years.
The Library of Congress selected the film in 2014 to be preserved in the National Film Registry, honoring FBDO for its cultural significance.