Days of Wine and Roses

Days of Wine and Roses, Joe Clay is a top-notch public-relations man. Anything a client wants, Joe can arrange, from dancing girls to an article in a prominent magazine. But part of the job is drinking, and Joe’s ability to consume alcohol seems boundless. When he meets the very pretty Kirsten Arnesen, she prefers chocolate to alcohol; Joe’s solution is Brandy Alexander, which is made up of brandy and crème de cacao. Joe and Kirsten eventually marry, but their love can’t prevent the downward spiral brought on by alcohol. They try desperately to break the habit but continually relapse until only one of them manages to break free.

STARS: Jack Lemmon, Lee Remick, Charles Bickford

117 min | Drama | 1962 | Color

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A fantastic movie about alcoholism that rings true
This movie was first a television play performed live and then went on to Hollywood for a slightly glossier production. This is NOT a bad pedigree, as shortly before this the TV movie "Marty" was also brought to Hollywood and became one of the best movies of the 1950s. Both the TV and Hollywood versions are excellent--see either or both if you get the chance.
To me this movie is the antithesis of "The Lost Weekend". "The Lost Weekend" was not a very realistic portrayal of alcoholism in many ways--particularly the ending where the lead suddenly just kicks his addiction and everything is hunky-dory. Get real! ""Days of Wine and Roses instead does not pull punches. It refuses to give in to sentimentality and take the typical Hollywood approach to films. There is no happy ending, there were surprises and heartbreak--much like dealing with alcoholism in real life.
Because it would spoil it to give too much information, I will only briefly discuss the plot. Jack Lemmon is a business man who slowly goes from the "two martini lunch" to alcoholism. His acting was very convincing and gut-wrenching. Equally compelling is his wife, Lee Remick, who puts on the performance of her life as the long-suffering wife who slowly goes from co-dependent to alcoholism herself. I've worked in a chemical dependency program and I've got to tell you, all the excuses and bargains and excesses in the movie were exactly what my clients had said and done as well. It is obvious the writers were doing their homework, as the movie delivers on every level.
UPDATE: Since this review, I was able to see the original teleplay--which, along with a few other teleplays of the era, are available through the Criterion Collection. See this in its original form. While not nearly as glossy, it still packs a huge dramatic punch!

A nightmare view of the dangers of alcohol
This is a shocking film. From the moment we see Joe Clay in a crowded bar telling the barman to "Hit me again" and whispering "Magic time!" before taking a drink, we realise that out of all the people in that room he is the man with a problem. Sadly, as in all these cases Joe is the last person to see that he needs help. Doubly sadly he takes someone else with him. Marrying a bright, non-drinking Kirsten, Joe introduces her to the pleasures of social drinking. Reluctant at first, after her first few Brandy Alexanders have made her giggly, Kirsten admits that having a drink "made me feel good". Unhappily their drinking doesn't stop there. Frustrated at work Joe feels the only way he can relax is to have "a coupla blasts" in the evening. Then he is frustrated because his wife is "stone cold sober". Wanting to demonstrate her love for Joe, Kirsten joins him in nightly sessions which find her drinking more and regularly getting drunk. As Kirsten develops a liking for liquor, bottles go missing from the drinks cupboard… When Joe is demoted and sent out of town Kirsten finds the best way to ease her loneliness is to drink it away. Drunk in the daytime she sets fire to their apartment and almost kills herself and her young child. Joe is fired and the next few years are a series of short-lived jobs and increasing addiction to drink. It certainly seems to be usual for Kirsten to be fairly drunk by the time Joe comes home. At last Joe has his "moment of clarity" and tries to dry out. The attempt fails when he and Kirsten fall off the wagon and start getting very drunk again. Their only hope is to join Alcoholics Anonymous. Joe can see this, but now it is Kirsten who refuses to believe she has a problem. Ultimately Joe has to make the nightmare decision to reject his wife who is now unable to face life without being drunk. Watching this shattering film is like being trapped in a nightmare where something horrible is happening and yet you cannot look away. A sense of doom hangs over this tragic couple who are unaware of the fate they are walking into. Thankfully the performances and direction are more than capable of delivering on the promise of this uncompromising story.