Bullitt

Bullitt, San Francisco Police Lieutenant Bullitt’s tasked by ambitious Walter Chalmers, to guard Johnny Ross, a Chicago mobster who’s about to turn evidence against the organisation. Chalmers wants Ross’ safety at all cost, or else Bullitt will pay the consequences.

STARS: Steve McQueen, Jacqueline Bisset, Robert Vaughn

114 min | Action, Crime, Thriller | 1968 | Color

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Not just a movie...
...it's a historical document. Society ladies showing off their trophy furs. Defunct airlines (Pan Am) and collapsed freeways (the Embarcadero). Cops without cell phones, or two way radios. Billboards showing how little has changed ("Need Money for Taxes ?", "Mothers Day Brunch May 11, make your reservations now") and how much ("ENCO" gasoline). Backstreet USA in all its slovenly glory. Moribund corner stores with fading signs. And of course an airport where you walk in and out, neat as you please, past the luggage left standing unattended at the curb.
Before Bullitt only the Europeans produced cinema that actually photographed society instead of re-creating it in a studio. With a few exceptions (The Conversation, The French Connection) Hollywood didn't exactly pick up the ball and run with it. Hollywood makes money, not historical documents. No matter. Watch this movie for its action and its background - and ask yourself if your time is better than Bullitt's.

The one that started it all...
...from from rogue cops who make their own rules, to... rogue cops who seriously know how to put the pedal to the medal. Only Bogie and John Wayne were cinematic tough guys before Frank Bullitt came along, and it was Bullitt that inspired Dirty Harry and every rogue cop movie as a result. If you were looking for the first modern cop thriller, well here it is. Accept no substitutes. In today's over-blown and effects laden (for better of for worse) era, people often forget that all those films began with movies like this one.
The story has Lieutenant Frank Bullitt receiving an assignment to protect a star witness in a high profile case that could bring down a powerful crime organization. Bullitt and his men take turns guarding the witness, but before long there is a hit and the witness is mortally wounded, and Bullitt takes the case into his own hands. The resulting mystery is both Grade-A Hollywood entertainment (rare these days) and a believable character portrait of a man engulfed by his work in a cruel world.
Of course one cannot talk about his movie without mentioning the legendary car chase, which is one of the best out there, but is not the main part of the movie as many make it out to be. If you see this movie just for some pedal to the medal action you will be let down. The focus of the movie is on Bullitt and the car chase, while very exciting and fun to watch, is one of the many scenes that show Bullitt's near obsession to work. Unlike today's crap action movies there is no 37 car pile up, no cars flipping over simply because the bad guys are driving them.
Also the finale of the film, a foot chase at an airport, has our hero firing two shots from his pistol and that is the only time he uses it in the movie. This film demonstrates that action is best when the result of a character's emotions and not a director's ambition to blow stuff up. Bullitt wants to get the bottom of the case, he wants to find out who's been following him around town and that is the result of the action scenes. In the end the film is a true classic and Frank Bullitt is a character to remember. 10/10