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The Yellow Tomahawk on DVD, Western, Rory Calhoun, Peggie Castle

The Yellow Tomahawk on DVD, Western, Rory Calhoun, Peggie Castle

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In Wyoming Territory, army Major Ives and his men are building a temporary camp. The civilian surveyor, Mr. Keats is making preparations for the construction of a large permanent fort. However, the future fort is being erected on Cheyenne lands, in defiance of the treaty. Adam Reed is a self employed scout with friendly ties to the Cheyenne. Upset about the construction of the new fort on their lands, the Cheyenne ask scout Reed to contact Major Ives and deliver their message of grievance to him. The symbolic message consists of a yellow tomahawk as a warning against the building of a new fort in the area. Reed delivers the warning message to Major Ives but he is not taken serious. Major Ives lectures Reed about the need of bringing civilization to the lands that otherwise would go to waste under the savages. Reed retorts that Major Ives' only duty is to escort wagon trains of settlers passing through Cheyenne territory rather than build new forts in violation of the treaty. Reed also mentions the fact that Major Ives has a bad reputation with the Cheyenne who call him 'the Butcher' because of past massacres committed against Indians. Major Ives refuses to heed Reed's warnings, calls Reed a traitor and orders him to remain in the army camp to prevent him from returning to the Cheyenne. Reed obeys but warns everyone in the camp of a major Cheyenne attack. Major Ives orders the hurried construction of a reinforced defensive compound. Also in the camp are the families of the soldiers, a Mexican scout and his Indian squaw, the fiancee of one of the officers and a gold prospector who just happened to arrive there. Major Ives' determination to stay and defy the Cheyenne is not all due to his patriotism and courage. The Major also hides a terrible personal secret.

STARS: Rory Calhoun, Peggie Castle, Noah Beery Jr.

82 min | Western | 1954 | Color


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Good Lesley Selander vintage

This western belongs to the second part of career for Lesley Selander, his best part, unlike his cheap one, during the forties. Here, with more budget, he is of course more comfortable, and without being under the lack of freedom, which is usually the bad side of a bigger budget. Producers generally remove any wish for something new, or unusual, when some directors dare something daring. Exectuves only seek the gross, and in that purpose, the key is to propose to audiences what they seek for, what they search for, and certainly not something unexpected. Such a shame. Here, with this film, and others that he made more or less in the same period, Lesley Selander makes me think of a total freedom, concerning camera angles, characters study, and above all the Indian attack over the cavalry base camp, so violent, so brutal, with shocking scenes of women slaughtered with tomahawk. Yes, this is a very effective, excellent western from a specialist. An overall atmosphere and spirit that you can't forget, especially from a grade B movie, and not a Z.

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