Anyway, “The Tamarind Seed” is a different film for Edwards: an international spy thriller. I think the reason for the film not being well received by the public was that Edwards was stereotyped as a comedy director. Indeed, many of his best films (“10”, “S.O.B.”, “Victor/Victoria”, and “The Pink Panther Strikes Again”) are in this genre. But during this period, Edwards made many fine straight films such as “Experiment in Terror”, “Darling Lili”, “Wild Rovers”, “The Carey Treatment” and “Gunn”. These films are lost today, thanks to clueless studio executives who didn’t know how to market them and the clueless moviegoers who stayed away in droves.
Lucky for us, cable TV still remains the forum to catch some of these lost treasures (except “Gunn” which seems lost forever) and AMC has been playing “The Tamarind Seed” frequently. Early video copies distributed by Magnetic Video and Embassy Home Entertainment still exist in used video stores around the country.
Now, about the film itself. Edwards has crafted a pretty skillful thriller here. Spy movies often die a quick death because most directors think they have to be either T&A fests or relentlessly talky. What makes the Bond films so much fun is that there’s a sly sense of humor and Edwards understands that. But Edwards maintains a smooth control over his material here and doesn’t play this material for monster laughs (rightly).This is a real good story, which I will not reveal, because the film’s success is dependent on Edwards’ surprises. The acting is great (with Julie Andrews and Omar Sharif in the lead roles, how could it be bad?), the cinematography (by the great Freddie Young in Panavision)is dazzling as it would be from that great talent, and the script gets involved enough in the story that we can follow it without getting confused.
“The Tamarind Seed” is very much worth the effort to find. Once you see it, it will be hard to forget it.
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