Flash Gordon

Flash Gordon is an American football hero who is skyjacked aboard Dr. Hans Zarkov’s rocketship along with his beautiful girlfriend Dale Arden. The threesome are drawn into the influence of the planet Mongo, ruled by Emperor Ming the Merciless. The evil Ming has been testing Earth with unnatural disasters, and deeming our world a threat to his rule. He also intends to take Dale as his concubine, attempts to execute Flash and intends to destroy Earth. Flash must avoid the amorous attentions of Ming’s daughter, and unite the warring kingdoms of Mongo to rescue Dale and save our world.

STARS: Sam J. Jones, Melody Anderson, Max von Sydow

111 min | Action, Adventure, Sci-Fi | 1980 | Color

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A 1930's Comic Strip Brought Perfectly To Life
Flash Gordon is one of the most perfectly realized films De Laurentiis made, and it is disappointing that so few have recognized it for what it is; a 1930's comic strip brought perfectly to life. The fact that it is so accurate a realization of America's hopes and fears during the 1930's may help to explain why it has been dismissed so readily as, at best, mere camp, and at worst, a vulgar cinematic catastrophe: Today's audiences are too removed from that decade to catch the references. A classic example of America's view of Asia during the 1930's can be found in Dale Arden's confrontation with Princess Aura just prior to her wedding to Ming. Aura is trying to convince Dale to slip a poison into Ming's "Power Potion" but Dale tells Aura she can't because she's given Ming her word to "try to be a good wife if [Ming] would spare Zarkov and Baron. He vowed he would." Aura, shocked at her naiveté, shouts, "My father has never kept a vow in his life!" To which Dale responds, "I can't help that Aura. Keeping our word is one of the things that make us better than you." Flash Gordon is filled with this type of wonderful 1930's fun, and this fun is only enhanced by the decision to use bad actors in roles that would only benefit from the lack of skill, as well as Oscar-caliber actors in the most demanding roles. Max Von Sydow is an obvious example of the latter, but the hidden gems come in the form of Mariangela Melato, Brian Blessed, and Ornella Muti. Melato does an outstanding job as Klytus's reptilian, but beautiful, second in command when she flawlessly delivers lines like, "Confess, and we won't hurt you anymore.
We don't like doing this at all!" And Ornella Muti is simply unbelievable as Ming's gorgeous but deadly daughter. Replying to Flash's query as to whether he can use the telepathy machine to contact Dale with a perfectly candid, "If I showed you how. But I'm not going to." Add to these amazing actors the costumes and sets that are obvious homages to the original comic's drawings and you have a movie that is as surprising as it is delightful. Enjoy!

It all works in this case
Some people aren't too fond of this version; it failed at the box office and many fans hate the camp, which, for me, works in this case. Unlike the Christopher Reeves SUPERMAN and others, the camp makes fun of the heroes, and not the villains (some of us like to take our villains seriously, and do not like them to made to look silly, thank you very much).
The filmmakers were obviously aware of, and aimed to incorporate, everything attached to Flash Gordon---from Raymond's comic strip, to the old Universal serials, to the semi-pornographic parody "Flesh Gordon," to even the post-STAR WARS mythology that audiences in the eighties would expect. Surprisingly, for such a diverse melange, it actually works.
Unlike the other space movies of the time, this film emphasized sets and costumes rather than visual effects, and as a result its overall look dates less than many spaceoperas of the late seventies/early eighties. For those who dismiss it--and there are many--be aware that there are also many of us who love it and have re-watched more than you. It's deligtfully rewatchable and nowadays is an indisputable example of what is termed a cult film.