Six Black Horses

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A beautiful woman with an ulterior motive hires two gunslingers to escort her through Indian territory so she can be reunited with her awaiting husband.

ACTORS :  Audie Murphy, Dan Duryea, Joan O’Brien

YEAR OF RELEASE :  1962

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Storyline

Six Black Horses Audie and Dan Duryea are hired by a mysterious woman to take her across Indian country to her husband. On the way, she tries to seduce Audie by offering to give him Duryea’s share of the money if he will help her achieve her real goal: kill Duryea for having killed her husband. Audie dreams of getting enough money to buy a ranch of his own, but his loyalty to his friend prevails. In the end, however, Murphy is forced to kill Duryea in a shootout when Duryea draws on him in a greedy attempt to finish the job even though continuing will likely get all three of them killed. After the shootout Duryea gets his final wish: a funeral carriage pulled by – you guessed it – six black horses.

String him up…from a wagon tongue?

Six Black Horses One of a series of interesting westerns Audie Murphy made for Universal in the 50s and 60s. As in all of these oaters, many veteran performers turn up in various roles. This one is no exception.

Dan Duryea appears in one of his patented good bad guy roles as a character called, now get this, Frank Jesse. At the beginning Murphy is almost strung up for hoss stealin’ by veterans Roy Barcroft and Bob Steele. What makes this scene unique is that they attempt to hang him from a wagon tongue, a method that I haven’t seen employed before or since. Also, Republic serial veterans George (Commando Cody) Wallace and stuntman Dale Van Sickel turn up briefly as various bad guys. Six Black Horses

The story is basically two drifters (Murphy and Duryea) hired by a mysterious and gorgeous blond (Joan O’Brien), to escort her across Apache territory to meet up with her long lost husband. There are the expected Indian attacks and of course, the final showdown between Murphy and Duryea.

The film is a good western competently handled. But what I still can’t figure out is who the Joan O’Brien character is trying to signal during the trek across Apache country.

No Name on the Bullet

Column South

 

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