Body Parts Right from the opening scene, if you let it, this movie will give you goose-bumps. Not that the first scene consisting of two people talking is particularly scary, it is just shot in such a brilliant subtly eerie way (as are all the scenes) that you can’t help but be somewhat creeped out. The plot–involving a man receiving a new arm after losing his in a terrible auto accident and discovering that it belonged to a serial killer that happens to want it back–sounds ludicrous, yet somehow Red lets the story unfold seamlessly and realistically and you find yourself believing every detail. This movie is about as intensely spooky as you can get, and every last moment of terror is executed perfectly. Red never lets you relax, because the minute you think things are settling down, something completely unexpected and wonderfully of-beat will leap out of no where are scare you silly. And finally, Body Parts succeeds in the extraordinary-visuals category not by throwing a bunch of flashy special effects in your face, but by remarkably original scenes fantastically constructed from ordinary things that become almost mesmerizing. This is the best horror film I have seen to date (August 20, 2000) and I have seen many. Just remember not to take it all too seriously, because this movie relies on emotions and characters to convey it realistically, not situations or plotting which are more fantastical than real-life based. But if, like myself, you let yourself become completely absorbed in the story, characters, and suspense, you are in for a true treat.